Beginning with a down-tempo treat called On My Street, New Moon immediately captivates you. Worming its way through soft electro on Harmonious Funk (whose lyrics hint at a possible universal truth) it arrives at the quirky synthesizer jam, Trippin’ Over You. The following rolling bass-driven house of The Great Suspenders is a loose groovy bumper and perfect for those ever-so-serious after parties. Send A Pigeon then follows; with the album taking you down another unexpected corridor with Undermine – Sunday Sunday is its warm piano accompaniment.
Disco loops, filters, delays, and a gorgeous vocal then clash on the short and sweet Lies In Love. And then, once again, we find Nidam playing with juxtaposition. She throws the impending unease of Last Moon, its warped vocals and twisted syncopated beats, together with the beautiful drifting electronica of Boastful. Finally, Never Forever ends the album on a high note with perhaps a hint or an amalgamation of the album’s base ideals: freedom, truth, and the cyclical nature of change.
Ultimately, New Moon’s wide variety of sounds can be directly traced back to Nidam’s disjointed discography. As Miss Fitz, her sleazy hypnotic dance music has touched great European labels like Freak’n’Chic, Contexterrior and Circus Company, and she has also released reductionist woozy house as Laverne Radix on Oslo, its sub-label Love Letters From Oslo and Raum…Musik. It is under her birth name Maayan Nidam however, that she has arguably experimented the most, with releases on such diverse labels as Perlon, Powershovel Audio (who released Nidam’s debut album Night Long in 2009), and Wolf + Lamb.