Ozone 6 features a redesigned interface, standalone application, and new Dynamic EQ module
Ozone 6 is the latest version of the mastering platform designed by leading Technology Company, iZotope. The software has proven exceptionally popular among both studio producers and mastering engineers with its mix of simplicity and clever features on a GUI that is easy to navigate and equally straight forward to understand.
Our goal was to create an elegant visual aesthetic and fluid workflow,” says iZotope Product Manager Brett Bunting, “in order to bring the creative elements of mastering front and centre and allow users to define their own sound.”
What makes Ozone 6 so popular for studio producers is that whilst many may not be accomplished mastering engineers, Ozone 6 removes the guesswork and manual process of mastering by including the chain of work in one easy to use package with a host of presets as a starting point, so that pros and newcomers alike can immediately achieve authentic sounds in any genre. But the cool thing is that because of all these tools at your fingertips you can also experiment without making the wring sonic choices.
Ozone 6 works as either a standalone application or a suite of plug-ins, so users can choose to work exclusively in Ozone, or to complement their audio editor of choice.
For professional users, the Advanced version’s Dynamic EQ module lives and breathes with your music, harnessing the precision of an equalizer and the musical ballistics of a compressor. It’s an ideal tool for transparently sculpting audio.
"Ozone is full of great mastering tools," says Adam Ayan, GRAMMY-winning mastering engineer at Gateway Mastering, "and it just keeps getting better!"